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        <title>The social Theory of Georg Simmel</title>
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            <forname>Nicholas J.</forname>
            <surname>Spykman</surname>
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      <div>242 THE SOCIAL THEORY OF GEORG SIMMEL 
sion of labor, a far-going specialization, while yet maintain- 
ing the functional unity of the economic system. It is only 
after the introduction of money and the full development 
of the money economy that the factual contents of life 
reach their complete objective independence. And only 
after that stage has been reached can the objective culture 
outrun the subjective culture. But money also helps the 
realization of the other form of discrepancy. It places it- 
self between man and this objective factual world and gives 
him a self-sufficient existence. It guards and protects his 
personal life from the immediate contacts with objects 
and thereby enables the personal energies to grow unham- 
pered. 
The function of money in these growing discrepancies 
is most important in the fields in which objective culture 
outruns subjective culture. That it also serves the oppo- 
site form of discrepancy merely shows its specific character 
as a historical force. It belongs to those forces which are 
characterized by the fact that they have no character of 
their own, that they are purely formal, functional, and 
quantitative, and can therefore serve the most divergent 
tendencies and paint life in the most varying colors. Its 
significance for the style of modern life is not diminished 
because it serves both types of relationship between sub- 
jective and objective culture, but rather increased; not 
denied, but rather proven.! 
Money as the Symbol of Modern Life 
Not only the quantitative relation between subjective 
and objective culture, but also the distance or proximity 
between man and his culture, is an important item in the 
style and perspective of life. Modern life is characterized 
by an increasing distance in the personal, subjective rela- 
1 Phil. des Geldes, pp. 501-33; Philosophische Kultur, pp. 240-53.</div>
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