decent (Books & 
Something ^A.bout Them. 
" Amusement and information combined.” 
Tennis Cuts and Quips, in Prose and Verse, 
with Rules and Wrinkles. Edited by Julian Marshall, author of 
“ The Annals of Tennis.” Hon. Sec. All England Lawn Tennis Club, 
Wimbledon. LONDON : Field & Tuer, The Leadenhall Press, E.C. 
[Two-and-Sixpence. 
A COLLECTION of essays, letters, anecdotes, and verses, serious, 
comic, and serio-comic, by various hands, about tennis 
And lawn-tennis, with the rules of the latter game. Useful in 
formation and critical remarks are mixed with much genuinely 
amusing matter. 
” A true picture of this great actor.”—Herne Bay Press. 
Henry Irving, Actor and Manager : A Criti 
cai Study. By William Archer. LONDON: Field & Tuer, The 
Leadenhall Press, E.C. Second Edition. [One Shilling. 
A n attempt at a dispassionate and rational appreciation of 
the distinguished actor’s merits and defects. Shunning 
Irving-mania ” and “ Irving-phobia ” alike, the author seeks 
to moderate the transports of indiscriminating worshippers, 
while at the same time combatting the prejudice of bigoted un 
believers. Neither a lampoon nor a panegyric, but in short a 
•“ critical study.” 
" May be cordially commended.”—Liverpool Daily Post. 
Are we to Read ? BOA AW >I OA 8 or What 
is the Best Print for the Eyes? By James Millinoton. With an 
Introduction by R. Brudenell Carter, f.r.c.s. (Illustrated.) LON 
DON : Field &• Tuer, The Leadenhall Press, E.C. [One Shilling. 
I N a little compass the author has gathered together much 
valuable information on the eyesight, and he points out the 
injurious effects of premature and excessive literary work, and 
suggests such modifications of paper and print as will enable the 
greatest amount of work to be done with the least possible 
fatigue to the eyes. The introduction by R. Brudenell Carter 
is most interesting and suggestive. 
LOUSCDOC^C, S.C. 
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